Michelangelo Buonarroti and Religion Essay Example For Students

Michelangelo Buonarroti and Religion Essay Michelangelo showing his religion Michelangelo painted frescoes on the ceiling of the Sistine Chapel, and made a sculptor of David. Both the painting and the sculptor point to the great deal knowledge Michelangelo has of the Bible. On the Sistine Chapels ceiling he painted scenes from the book of Genesis, and David the person comes from the first Book of Samuel. Michelangelo has background with the Christian Church and did many sculptures and painting for the church. The religious influence of the church could not be avoid by Michelangelo. He had been introduced to it very early in his life. Sistine Chapels ceiling was a very religious painting Job done by Michelangelo. The Astatines ceiling shows Michelangelo knowledge of Bible events. It has Prophets and Sibyls painted on it, which are very religious figures. It shows the beginning of time to the Flood with Noshs Great Ark. The sculpture of David was done for Saint Peters Cathedral. It gave new meaning to life for the people of Florence. David was not only thought of as a Messiah by the Old Testament Prophets, but also by the people of Florence. He brought hope as a person and a statue. Michelangelo not only showed that religion was important to him through his works, UT also amortized part of the Bible. The Sistine Chapel is one of the most visited places in the world, and the Colossal David is one of the most well-known sculptors in the world. These two great works of art affect whatever people look at them. Without knowing it people get a brush of religion. Michelangelo shows his view of religion to people even after he has died. Michelangelo lived a life of art. From the day he was born to the day he died he lived art. Michelangelo was one of, if not the best sculptor and painter ever to touch foot on this earth. He any painter made a shining in religious art it was Michelangelo. The Sistine Chapel is located in the Vatican City. This is where Saint Pewters Basilica was built. The Sistine Chapel was a private room for the Pope. Pope Julius II asked Michelangelo to paint on the ceiling. He almost turned it down because he thought of himself as a sculptor not a painter. He took the painting Job on to prove to people that he could paint even though he did not like to do it. Through the works of the Sistine Chapels ceiling and the statue David, Michelangelo amortized his Christian religion. Michelangelo was born on March 6, 1475 in a town called Cappers, a region f Tuscany, near Florence. Michelangelo father was Ladylove Bonaparte Simon, and his mother Francesca Imitation del Sera. Michelangelo mother decided to send the baby Michelangelo away to be looked after for a while by a stonecutters wife, because his dad didnt have a Job and his family life was difficult. Michelangelo said his love for stone came from the milk of stonecutters wife who nursed him as a baby. Michelangelo wanted to be an artist but his father did not agree. When Michelangelo was seven he was sent to a basic school, he was always sneaking off and drawing something. After many long arguments with his father, Michelangelo finally convinced him that sculpturing and block carving are different. Michelangelo was then allowed to study the arts. Michelangelo father put him in the workshop of the painter Domenici Garlanding. After two years Michelangelo studied at a sculpture school in the Medici gardens. He wanted to Join a bootleg, which is a workshop where young men could learn art with masters. At age 13 he was allowed to Join, and shortly thereafter was invited into the household of Lorenz De Medici, the Magnificent. Because Michelangelo was so good at sculpting, a fellow dent, Pitter Thronging, got Jealous and punched Michelangelo in the nose , giving him a prize fighters nose that makes him so recognizable in his portraits. When Michelangelo talent became known, he no longer paid for the lessons, instead he was paid. Michelangelo produced at least two relief sculptures by the time he was sixteen years old, the battle of the features and the Madonna of the stairs. This showed that Michelangelo had achieved a personal style at a very early age. Most sculptors have not finished learning about style, let alone have heir own style by the age of sixteen. Michelangelo died on February 18, 1564 at almost 90 years old, he was hard at work on a statue. Religion Essay ExampleThe Cathedral asked Michelangelo to sculpted a Colossal David . Michelangelo accepted the offer and guaranteed to complete a Colossal David for the Cathedral in 2 years. Around the chunk of marble he obtained for this feat he built a shed, which was locked at all times. He did not launch immediately into the stone as legend had it, making chips fly off violently as he struggled to set free the image he saw within. For many weeks he examined and measured his material to see what pose it could accommodate. He made sketches of possible positions, and carefully detailed drawings from models for the parts of the figure. He tested out his image in wax on a small scale. Then, and only then did he pick up a point and a mallet to make the first rough spillers fly clattering to the floor. Although it occupied him nearly three years to complete, it was worth the wait for the people living in Florence. Michelangelo phrased his first titan in terms of a civic guardian, symbol of righteousness. None of his later masterpieces so profoundly affected his fellow citizens. The author Gilbert writes: In the precision of its anatomy one can recognize the scientific spirit of investigation of the Florentine; in the forms, which are full of strength, and in the noble, proud ace, one finds the heroic concept of man as a creature who is free and master of his own destiny. Technically this statue marked a change in Michelangelo development. In a single work he achieved the difficult transition from normal scale to the colossal without a flaw, setting back the chin slightly so that it would not cut off too much of the other features from the spectators view, building out the nose and forehead. Religion in David David comes straight from the Bible. In the following lines, from Book one of Samuel, Chapter 17, verses 49 through 51, it tells how David came to slay the giant Goliath: 9 And David put his hand in his bag, and took thence a stone and slang it, and smote the Philistine in his forehead, that the stone sunk into his forehead; and he fell upon his face to the earth philistine, and slew him; but there was no sword in the hand of David. 1 Therefore David ran, and stood upon the Philistine, and took his sword, and drew it out of the sheath therefore, and slew him, and out off his head therewith . And when the Philistines saw their champion was dead, they fled. Religion in David is undeniable. He is a part of the Bible therefore a part of religion. A religion which Michelangelo learned about since he was an infant with the stonecutters family. David was sculpted having the look of fear, as if the sculptor knew what David was going through at that exact point in the battle with Goliath. The religion Michelangelo shows through David is immense. Conclusion Both the painting of the Sistine Chapel Ceiling and the sculptor of David reflect the knowledge that Michelangelo has of Pagan religion, but mostly of the Bible. Clifton Harry Levy writes: Religion was the supreme interest of the leaders in human thought during this entry, when the Church played so large a part in the destiny of nations, and very naturally any and every artist who felt the pulse of his time was impelled to prove his power by the skill with which he presented sacred subjects. Art was religious because the people were religious In other words, art could make or break a nation. Michelangelo was trying to make Italy, by giving them the best religious art you could find. In a way the art helped the people survive, fight, and showed them what they could believe in to get away from the agony of living a life of torment. These works illustrated points from the Bible in such a magnificent manner, that they have changed life from the day they were put on display to the present. Religion was, is, and always will be a powerful thing.